Première

Record of a performative action inside a building under construction where the point of view corresponds to that of an external espectator, in which the support and referential system is architecture itself.

The performance arises as the consequence of the place itself and its joints, creating a series a movements in relation to these spaces, which involves the patron as the structure of the coreographical secuence.

The dancers, through their movements, narrate the processes of spatial transformation, as do the scenarios condition the movements. A generating division of architecture is revealed as the antecedent and documentation of occasioned transformations which converge with dance.